Miranda
oil on linen on board 30cm X 25cm 2018
at Cairde Visual 2019
The Model presents Cairde Visual
Opening reception Saturday, 6 July, 6-8pm. Cairde Sligo Arts Festival’s sixth annual open submission exhibition.
sermon to stones oil on board 25cm X 30cm 2018
‘the sky is falling’ review by Slavka Sverakova
art spring 2019
instagram sinead aldridge
‘the sky is falling’ at the Fenderesky Gallery until 14th June 2019
Pandora ‘she who sends up gifts’
oil on linen on board
30cm X 25cm 2018
A measure of the disorder of a system
oil on linen 50cm x 40cm
2018
The measure of a disorder of a system strategically defines my current art practice. My work is essentially a dialogue about the language of paint; working with colour and gesture, creating a controlled internal order on the canvas surface; when colour and touch are aligned the work attempts a dialogue with the viewer, an utterance on the nature of identity.
Belfast Pietà & Miranda
at Beep Painting Biennial 2018
oil on linen on board 30 X 25 cm 2016-18
Re-Route
oil on linen on board 30 X 25 cm 18 at
Cairde 2018
Small landscape
painting of the day
Contemporary British Painting
1& 2
oil on linen on board 30 X 25 cm 2016-18
Recent activity in the studio.
Just took these two out again and managed to arrive at a finish.
‘Aristocratic’
on show at the 188th RHA Annunal Exhibition 22May- 11th August 2018
RHA Open 2018
setting
them
out
to
dry
a
few
days
before
packing.
Mary Heilman
comes to mind;
not quite-
nice idea
though.
One never
knows what
might happen next.
Jacob’s ladder
Group Show
Fenderesky Gallery Belfast
Artist Residency Oberpfälzer Künstlerhaus Schwandorf-Fronberg Deutschland August 2017
Beep 2016 Wales International Painting Biennial 2016
Beep (Biennial exhibition of painting) is Wales’s only large-scale contemporary international painting exhibition taking place at different venues every two years. This year will see the main Beep2016 exhibition tour from Swansea to Wrexham and include satellite exhibitions, events and residencies in and around Swansea, Wrexham and Cardiff.
After Image: Recent Paintings Fenderesky Gallery Belfast N. Ireland 22. October – 21 November 2015
“… One day I would cross a threshold into an enormous park, an endless and beautiful park; in this park one ingenious invention would succeed another. Plants and music would follow in lovely mathematical alternation, delightful to the ear and answering to the utmost notions of delicacy; but this park was not there to be used, or wandered about in, because it consisted of a thousand and one small and miniscule square and rectangular and circular islets, pieces of lawn, each of them so individual that I would be unable to leave the one on which I was standing. In each case, there is a breadth and depth of water that prevents one from hopping from one island to another in my imagining. On the piece of grass which one has reached, how is a mystery, on which one has woken up, and where one is compelled to stay, one would finally perish of hunger and thirst. One’s longing to be able to walk through the whole park is finally deadly.” (Thomas Bernhard, Frost, trans. Michael Hofmann, Random House, 2008.)
… then she returns to her paintings with this in tow. We must scratch, we must scrape beneath the painting, to see what these paintings show.
What do Sinéad’s paintings show? continue
Dr Tony Partridge 2015
Studio Feb 2015 Fairground Attractions
Eigse Carlow 2009
….Forms are humbling, like old friars or nuns, whipped across the canvas in a quiet Baconesque spirit. The titles of the works are often plays on words, as are the paintings themselves, a play on what we see. An eye is buried at the core of the work titled Keeper. What Remains to be asked leaves the question hanging in the air. …
Dermot Healy from A Sweep in time Exhibition Catalogue TEXT
